The Map / 地 圖
2023
installation
metal, soil from London White City Japanese Garden
63 cm dia, 2.5 cm thickness
this work is supported by the Delfina Foundation's research programme Collecting as Practice
video trailer ︎
Driven by Japan's eagerness to reshape its public image in Britain and Europe, the exhibition was a grand display of Japan's aspiration to be seen as a great power and colonial force in Asia. The design of the metal plate, drawing a comparison to the design of visitor’s traffic flow in museums, serves as a commentary on the manipulation of visitor experiences. It highlights the strategic routes crafted to guide visitors in a predetermined order, manipulating their perception and limiting their agency. By incorporating soil collected from the Japanese Garden in the present-day White City as a 'stamp' on the ground, the artwork evokes a sense of the unsettling notion of a human zoo.
The artwork raises critical questions about the ethics of representation, colonial history, and cultural exchange. It invites viewers to confront the uncomfortable reality of the Japan-British Exhibition, urging them to reflect on the lasting impact of such exhibitions and the power dynamics inherent in them. The artist, however, adopts a critical stance, challenging the exhibition's narrative by incorporating soil collected from the Japanese Garden in the present-day White City. This act serves as a powerful reminder of the exhibition's exploitative nature, as it symbolically brings the troubling past into the present.
Installation view at Tabula Rasa Gallery in London, UK, 2023
Related information ︎
︎︎︎ ARTFORUM
︎︎︎ EMPIRE LINES
︎︎︎ Tabula Rasa Gallery
work
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The Cable
The Camera (16)
The Camera (17)
The Camera (36)
The Camera (65)
The Chat
The Cultural Center
The Dust
The Figure
The Gate
The Jog
The Lighting
The Link
The Looty
The Map
The Mask
The Postcard
The Route
The Sallow Man
The Sculpture
The Smart City
The Toyota
The Vitrine
collective
Bengawan Solo
Café Togo
Songs of SPECX The Currency-Sensing 01 The Currency-Vinyl The Gesture I
The Gesture II The Guestbook The Sallow Sea
exhibition
Ghost In The Sea Too Loud A Dust
On The Faience Of Your Eyes There Are Lights That Never Go Out I'll Be Back Resistance is Futile
Modern Life is Dull
The Alp
The Bedroom
The Cable
The Camera (16)
The Camera (17)
The Camera (36)
The Camera (65)
The Chat
The Cultural Center
The Dust
The Figure
The Gate
The Jog
The Lighting
The Link
The Looty
The Map
The Mask
The Postcard
The Route
The Sallow Man
The Sculpture
The Smart City
The Toyota
The Vitrine
collective
Bengawan Solo
Café Togo
Songs of SPECX The Currency-Sensing 01 The Currency-Vinyl The Gesture I
The Gesture II The Guestbook The Sallow Sea
exhibition
Ghost In The Sea Too Loud A Dust
On The Faience Of Your Eyes There Are Lights That Never Go Out I'll Be Back Resistance is Futile
Modern Life is Dull